Performances

Edward Estlin "E. E." Cummings (October 14, 1894 – September 3, 1962), often styled as e e cummings, as he sometimes signed his name, was an American poet, painter, essayist, author, and playwright. He wrote approximately 2900 poems, two autobiographical novels, four plays, and several essays. This undated recording captures cummings during his visit to Eastern Michigan University. There is no commentary between poems.

Edward Estlin "E. E." Cummings (October 14, 1894 – September 3, 1962), often styled as E. E. Cummings, as he sometimes signed his name, was an American poet, painter, essayist, author, and playwright. He wrote approximately 2900 poems, two autobiographical novels, four plays, and several essays. This undated recording captures Cummings during his visit to Eastern Michigan University. There is no commentary between poems.

Anne Sexton (November 9, 1928 – October 4, 1974) was an American poet, known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with depression, suicidal tendencies, and various intimate details from her private life, including her relationships with her husband and children. This recording is comprised of a poetry reading given by Sexton on the campus of Eastern Michigan University. The original magnetic reel for this recording is severely damaged and fragile, resulting in periodic stoppage.

Robert Bly (born December 23, 1926) is an American poet, essayist, activist, and leader of the mythopoetic men's movement. His most commercially successful book to date was Iron John: A Book About Men (1990), a key text of the mythopoetic men's movement, which spent 62 weeks on The New York Times Best Seller list. He won the 1968 National Book Award for Poetry for his book The Light Around the Body. Bly visited the campus of Eastern Michigan University in November of 1963 and delivered this poetry reading, in which he explains the construction of his poems, and compares himself to other notable poets of his day. Bly also quotes what he considers to be some of the worst opening lines in literature, and details what he considers to be the restrictions of iambic pentameter.

William Edgar Stafford (January 17, 1914 – August 28, 1993) was an American poet and pacifist, and the father of poet and essayist Kim Stafford. He was appointed the twentieth Consultant in Poetry to the Library of Congress in 1970. In this audio recording from Eastern Michigan University’s visiting authors series, Stafford speaks about his creative process, the mechanics of his poetry, and reads several selections from his vast body of work.

John Anthony Ciardi (June 24, 1916 – March 30, 1986) was an Italian-American poet, translator, and etymologist. While primarily known as a poet, he also translated Dante's Divine Comedy, wrote several volumes of children's poetry, pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, and directed the Bread Loaf Writers' Conference in Vermont. In 1959, Ciardi published a book on how to read, write, and teach poetry, How Does a Poem Mean?, which has proven to be among the most-used books of its kind. At the peak of his popularity in the early 1960s, Ciardi also had a network television program on CBS, Accent. In 1964, Eastern Michigan University invited Ciardi to Pease Auditorium for a reading of his poetry. Remarking that poetry is “always a statement about poetry,” Ciardi reads poems about his father, Theodore Roetke, and the poetic capabilities of university students.

Michigan State Normal College Alum John S. Elwell leads the MSNC Choir and present spectators in the singing of “Faiths of Our Fathers,” at the Centennial Celebration of Michigan State Normal College.

During the dedication ceremony for the Frederick Alexander Memorial Organ, Music Director Haydn Morgan played a recording of the Michigan State Normal College Choir, circa. 1940. The playing of the vinyl record was part of a tribute to the abilities and musical and teaching talent of Alexander, who led the MSNC Music Department 1909-1941. The choral selection is approximately fifteen minutes in length, though no title was given.

During a musical interlude in the dedication of Pierce Hall at the Michigan State Normal College, the MSNC plays Richard Wagner’s “King’s Prayer,” from the opera Lohengrin.

The University of Michigan Studio Sampler was a television show spotlighting various local talents, and aired from the University of Michigan campus. The show was written by Don Hall and Bill Rabe, presented by the UoM Department of Speech and PAD T.V. In this clip from the show, Michigan State Normal College senior Bill Woodworth performs the 2nd Movement from “Trombone Concerto” by Rimsky Korsakov.

The University of Michigan Studio Sampler was a television show spotlighting various local talents, and aired from the University of Michigan campus. The show was written by Don Hall and Bill Rabe, presented by the UoM Department of Speech and PAD T.V. In this clip from the show, Michigan State Normal College senior and baritone vocalist Harous Wilson performs “Hills of Home,” by Oscar Fox.

The University of Michigan Studio Sampler was a television show spotlighting various local talents, and aired from the University of Michigan campus. The show was written by Don Hall and Bill Rabe, presented by the UoM Department of Speech and PAD T.V. This clip from Studio Sampler features Michigan State Normal College senior and soprano vocalist Sally Donegal, as she performs One Fine Day from Madame Butterfly.