20 items

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  Anne Sexton, Poetry Reading, 1963
  Anne Sexton (November 9, 1928 – October 4, 1974) was an American poet, known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with depression, suicidal tendencies, and various intimate details from her private life, including her relationships with her husband and children. This recording is comprised of a poetry reading given by Sexton on the campus of Eastern Michigan University. The original magnetic reel for this recording is severely damaged and fragile, resulting in periodic stoppage.
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  Bill Woodworth, "Second Movement of Trombone Concerto," by Rimsky Korsakov, 1954
  The University of Michigan Studio Sampler was a television show spotlighting various local talents, and aired from the University of Michigan campus. The show was written by Don Hall and Bill Rabe, presented by the UoM Department of Speech and PAD T.V. In this clip from the show, Michigan State Normal College senior Bill Woodworth performs the 2nd Movement from “Trombone Concerto” by Rimsky Korsakov.
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  E.E. Cummings, Poetry Reading, Part 1
  Edward Estlin "E. E." Cummings (October 14, 1894 – September 3, 1962), often styled as E. E. Cummings, as he sometimes signed his name, was an American poet, painter, essayist, author, and playwright. He wrote approximately 2900 poems, two autobiographical novels, four plays, and several essays. This undated recording captures Cummings during his visit to Eastern Michigan University. There is no commentary between poems.
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  E.E. Cummings, Poetry Reading, Part 2
  Edward Estlin "E. E." Cummings (October 14, 1894 – September 3, 1962), often styled as e e cummings, as he sometimes signed his name, was an American poet, painter, essayist, author, and playwright. He wrote approximately 2900 poems, two autobiographical novels, four plays, and several essays. This undated recording captures cummings during his visit to Eastern Michigan University. There is no commentary between poems.
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  Eastern Michigan University Marching Band, "Eastern Michigan Fight Song," 1965
  The marching band of Michigan State Normal College plays the school fight song on this undated recording.
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  Eastern Michigan University Presents Poet John Ciardi, 1964
  John Anthony Ciardi (June 24, 1916 – March 30, 1986) was an Italian-American poet, translator, and etymologist. While primarily known as a poet, he also translated Dante's Divine Comedy, wrote several volumes of children's poetry, pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, and directed the Bread Loaf Writers' Conference in Vermont. In 1959, Ciardi published a book on how to read, write, and teach poetry, How Does a Poem Mean?, which has proven to be among the most-used books of its kind. At the peak of his popularity in the early 1960s, Ciardi also had a network television program on CBS, Accent. In 1964, Eastern Michigan University invited Ciardi to Pease Auditorium for a reading of his poetry. Remarking that poetry is “always a statement about poetry,” Ciardi reads poems about his father, Theodore Roetke, and the poetic capabilities of university students.
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  Erich Goldschmidt, "Bach's Lord Jesus Christ, Be Present Now," 1966
  Erich Goldschmidt was a professor of music at Eastern Michigan University, and consultant ex-officio for the Frederick Alexander Memorial Organ in Pease Auditorium. Goldschmidt also served as organ builder in residence at University of Michigan in Ann Arbor. Here, Goldschmidt performs "Lord Jesus Christ, Be Present Now" by J.S. Bach on the Frederick Alexander Memorial Organ in Pease Auditorium.
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  Erich Goldschmidt, John Kennedy Memorial, 1963
  Erich Goldschmidt was a professor of music at Eastern Michigan University, and consultant ex-officio for the Frederick Alexander Memorial Organ in Pease Auditorium. Goldschmidt also served as organ builder in residence at University of Michigan in Ann Arbor. In this memorial service for slain president John F Kennedy, Goldschmidt plays a selection of sacred music on the Alexander Memorial Organ.
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  Faculty Performance, Mozart's Non mi dir, 1974
  Having received her Masters at Eastern Michigan University in Voice Performance in 1971, Glenda Kirkland then joined the faculty of EMU in 1973 as professor of Applied Music. Joseph Gurt, having received his Bachelor’s and Master’s degrees from the Julliard School of Music, served as Professor of Music at Eastern Michigan from 1967 until his retirement in 2000. Included in this recording are two pieces, Giacomo Puccini’s “Senza Mamma,” and Mozart’s “Non Mi Dir,” from his opera, Don Giovanni. These pieces were included in a larger event, the 1974 Fall Faculty Luncheon, the primary focus of which being an address by Ralph Gilden, who was then acting as interim president of the university.
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  Faculty Performance, Puccini's "Senza Mamma," 1974
  Having received her Masters at Eastern Michigan University in Voice Performance in 1971, Glenda Kirkland then joined the faculty of EMU in 1973 as professor of Applied Music. Joseph Gurt, having received his Bachelor’s and Master’s degrees from the Julliard School of Music, served as Professor of Music at Eastern Michigan from 1967 until his retirement in 2000. Included in this recording are two pieces, Giacomo Puccini’s “Senza Mamma,” and Mozart’s “Non Mi Dir,” from his opera, Don Giovanni. These pieces were included in a larger event, the 1974 Fall Faculty Luncheon, the primary focus of which being an address by Ralph Gilden, who was then acting as interim president of the university.
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  Faculty Recital, pt. 1, 1969
  Clarinetist Armand Abramson, Cellist Edward Szabo, and Pianist Joseph Gurt -all Eastern Michigan Music Department faculty- perform in this recital at Pease Auditorium. Part 1 of 2, this recording consists of three pieces: Schumann’s Phantasy-Pieces for Clarinet and Piano, Op.73; Sammartini’s Sonata in G for Cello and Piano; Honegger’s Sonatine pour Clarinette en La et Piano.
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  Faculty Recital, pt. 2, 1969
  Clarinetist Armand Abramson, Cellist Edward Szabo, and Pianist Joseph Gurt -all EMU Music Department faculty- perform in this faculty recital at Pease Auditorium. Part 2 of 2, this recording consists of 2 pieces: Faure’s Elegie for Cello and Piano, and Beethoven’s Trio for Clarinet, Cello and PIano, Op. 11.
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  Frederick Alexander Memorial Organ Dedicatory Recital, 1961
  In his will, longtime Michigan State Normal College music professor left $85,000 to Eastern Michigan University for the purpose of installing a pipe organ in Pease Auditorium. This recording captures the inaugural recital of that organ after its completion. Also in his will, Alexander requested specific musicians and pieces of music to be performed at this recital. All of his wishes were honored, and here several pieces of music are performed by former Alexander student Russell Gee of Western Reserve University in Cleveland, Ohio. Pieces of music performed include: Basse et Dessus de Trompette by Louis-Nicolas Clerambault; Prelude, Fugue and Chaconne by Detrich Buxtehude; Chorale Preludes by Johannes Brahams; and Ronde Francaise by Leon Boellman.
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  Harlous Wilson, "Hills of Home," by Oscar Fox, 1954
  The University of Michigan Studio Sampler was a television show spotlighting various local talents, and aired from the University of Michigan campus. The show was written by Don Hall and Bill Rabe, presented by the UoM Department of Speech and PAD T.V. In this clip from the show, Michigan State Normal College senior and baritone vocalist Harous Wilson performs “Hills of Home,” by Oscar Fox.
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  Michigan State Normal College Brass Ensemble, Wagner’s “King’s Prayer,” 1949
  During a musical interlude in the dedication of Pierce Hall at the Michigan State Normal College, the MSNC plays Richard Wagner’s “King’s Prayer,” from the opera Lohengrin.
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  Michigan State Normal College Choral Ensemble, "Faiths of Our Fathers," 1949
  Michigan State Normal College Alum John S. Elwell leads the MSNC Choir and present spectators in the singing of “Faiths of Our Fathers,” at the Centennial Celebration of Michigan State Normal College.
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  Michigan State Normal College Choral Ensemble, 1940
  During the dedication ceremony for the Frederick Alexander Memorial Organ, Music Director Haydn Morgan played a recording of the Michigan State Normal College Choir, circa. 1940. The playing of the vinyl record was part of a tribute to the abilities and musical and teaching talent of Alexander, who led the MSNC Music Department 1909-1941. The choral selection is approximately fifteen minutes in length, though no title was given.
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  Robert Bly, Poetry Reading, 1963
  Robert Bly (born December 23, 1926) is an American poet, essayist, activist, and leader of the mythopoetic men's movement. His most commercially successful book to date was Iron John: A Book About Men (1990), a key text of the mythopoetic men's movement, which spent 62 weeks on The New York Times Best Seller list. He won the 1968 National Book Award for Poetry for his book The Light Around the Body. Bly visited the campus of Eastern Michigan University in November of 1963 and delivered this poetry reading, in which he explains the construction of his poems, and compares himself to other notable poets of his day. Bly also quotes what he considers to be some of the worst opening lines in literature, and details what he considers to be the restrictions of iambic pentameter.
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  Sally Donegal, "One Fine Day," from Madame Butterfly, 1954
  The University of Michigan Studio Sampler was a television show spotlighting various local talents, and aired from the University of Michigan campus. The show was written by Don Hall and Bill Rabe, presented by the UoM Department of Speech and PAD T.V. This clip from Studio Sampler features Michigan State Normal College senior and soprano vocalist Sally Donegal, as she performs One Fine Day from Madame Butterfly.
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  William Stafford, Poetry Reading, 1964
  William Edgar Stafford (January 17, 1914 – August 28, 1993) was an American poet and pacifist, and the father of poet and essayist Kim Stafford. He was appointed the twentieth Consultant in Poetry to the Library of Congress in 1970. In this audio recording from Eastern Michigan University’s visiting authors series, Stafford speaks about his creative process, the mechanics of his poetry, and reads several selections from his vast body of work.